Swampland Studios
Archive for the 'Past works' Category
read comments (0)Parking Keeps Going On
Author: adminApart from this, last weeks we’ve been recording some stuff with our guests and flatmates, and we had the chance to record a song with GARE’s and MEL’s frontman Ismael Inarejos together with Xavi. We’ll upload a bit of that soon.
read comments (0)Well, it´s been so exciting to dream about the possibility of winning this year´s Manhattan Film Festival, we didn´t at the end, but for us being in the 10 finalists is a great step. Please check the winners´stuff. I have a special appreciation for “Miente”, because it is pretty hard to film anything close to that in Spain nowadays.
Here´s an interview with Jorge Molina, scriptwriter and director of “Parking”, don´t miss it!.
A.
read comments (0)Recording, mixing & bass for Plasteek´s “Milk Noir” 7inch. single (with Pablo Thonon & Armando); limited white vinyl edition that will be released through Warsaw was Raw records next month.
Tracklist;
A side;
01. Say goodbye.
B side;
02 Casiopea.
03 St. Martin´s coming.
Two other tracks were recorded (“Hearts & Rejects” & “Ruin on demand”) during the sessions, and probably will be released in the future.
Plasteek are/were;
Vicks; Vocals, guitars, fx.
P. Drakke; Drums, synths, sound.
A. Swmp; Bass, sound.
All songs by V.
read comments (2)NocTurnos (2007?)
Author: adminRecording just a few audio bits for this commercial, if you drink, don´t drive.
Nocturnos from jorge antonio on Vimeo.
Wish every work was like this one…
A.
read comments (0)El canto del grillo; Dany Campos (Eiga & 14 pies, 2005).
Author: adminSound edition for Dany Campos´s “El Canto del Grillo” ( Eiga & 14 pies, 2005).
Probably one of the best experiencies I ever had working with sound. The first reason is working with (and under the supervision of) Manuel Gama (from “Taller de ruidos”, where all the sound work was done), my teacher, one of the most skilled sound technicians I ever met, and my friend.
The second reason is the great acceptance this short film had, being showed in more than 200 festivals in 45 countries and winning international prizes such as the Angry Film Festival (Melbourne, Australia), the Platinnum Remi Award from Houston festival (USA), Kawasaki´s film festival (Japón), Swäbisch Hall (Germany), Wrocklaw (Polonia) and the jury´s special mention in the Pedrera de Montevideo festival (Uruguay).
The third one is we had enough time to do what we had in our mind, even if it was a difficult short film to edit: quite a long story to tell, extreme ambience swings, industrial sounds, cars, trains, gunshots, etc (even faking a vomit).
And fourth one, the fact of having 4 Neumann U67 in my hands for a month.
Any kind of feedback would be much appreciated.
First part;
Second part:
read comments (1)Epílogo; Zoe Berriatúa (Producciones invisibles, 2008).
Author: adminRecording, editing and mixing sound for Zoe Berriatúa´s “Epílogo”, with Macarena Gómez and Pablo Turégano. (Producciones invisibles, 2008).
This one was recorded in Swampland using an Audio Technica AT3060, Motu 828 mkII and a primitive G4.
As every internet video, the quality isn´t as good as it should be. There was an english version of the film I can´t locate right now.
Any kind of feedback would be much appreciated.
Epilogo from Zoe Berriatúa on Vimeo.
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